Came across this article and having just finished working on the production of The Dog(run) Diaries, I mostly just cocked an eyebrow and wanted to tell him to shut up.

I use direct address. A lot. And I love it. As a play goer and play creator, I know when the story calls for it.

Yes, I do also acknowledge, the playwright’s desire to talk to audiences via a literal standing and speaking out, can be a way to “cleverly” disguise otherwise difficult challenges in writing…but, I would simply like to say that discussing the “4th Wall” as if it’s a given conceit of the theatre that has always existed (which isn’t, in fact true) or is somehow necessary for storytelling to be effective, makes me cringe. And point the finger to Western-centric narrative constructs that some people feel need to be the precedent for all storytelling. False.

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